Showing posts with label Back Catalogue Books. Show all posts
Showing posts with label Back Catalogue Books. Show all posts

Saturday, 7 October 2017

Back Catalogue Books - Q&A with Zoe Sharp - Blog Tour



Back Catalogue Books is my new regular Saturday feature, focusing on books that are not the latest releases. There is going to be a mix of Q&As and also reviews, depending on what I have the space for. 

If you are an author wanting to take part in Back Catalogue Books then please do email on gilbster at gmail dot com and I'll whizz the questions over to you. 

I hope everyone enjoys this weekly look back at some of the slightly older books that are about but still great, going to aim to read books that have been out for at least 6 months, and that I eventually make a dent in my TBRs as a result of it!

Today I am interviewing Zoe Sharp author of the Charlie Fox series.. welcome.

Q1) Please tell me about your first book, and what started you writing in the first place

A1) Ah, this depends on what you classify as my first book. I wrote my first novel when I was fifteen, which my father (bless ‘im) typed up for me and which then did the rounds of publishers. It received what are known as ‘rave rejections’—everybody loved it, but nobody actually wanted to publish it. It still sits in a box in the attic and occasionally my father threatens to get it out and put it on eBay. It is at this point that I usually remind him that, someday soon now, I may be the one choosing his nursing home …

My first published book was KILLER INSTINCT, the first in the Charlie Fox series. She is an ex-Special Forces trainee, who was kicked out of the army in disgrace and, at the start of the series, is still trying to find her role in life. At that time, she’s teaching self-defence to woman in a northern British city. When someone starts targeting local woman for sexual assault, escalating rapidly to murder, Charlie comes to his attention because she presents more of a challenge, and she must face her fears from the past in order to survive the dangers of the present.
I started working on this story because at the time I was working as a photojournalist and was on the receiving end of death-threat letters in the course of my work—cut up out of newspaper like a ransom note, telling me they knew where I lived and that my days were numbered. It was scary stuff at the time, and it had a couple of effects. One was that I started learning a LOT of self-defence techniques, and the other was that I started work on the book that was to become KILLER INSTINCT.

I think the other reason I wanted to write about a character like Charlie, is that I read plenty of thrillers when I was younger, but the female characters always seemed to be there as love interest for the hero, to make mistakes, to scream in a firefight, cook, tend the wounded, and require rescuing from the bad guys in the final reel. I wanted to read about a strong, independent woman who would do her own rescuing, thankyouverymuch, and when I couldn’t find what I was looking for, I decided my only option was to write my own.

Q2) How many books have you written and what are they?

A2) Book twelve in the Charlie Fox series, FOX HUNTER, has just come out in the States, and will be out everywhere else in mid-September. The series, in order:


The reason the series appears to go to a numbering sequence in the middle, that makes no real sense (SECOND SHOT, for instance, is actually book six, not book two) is because my first US publisher bought FIRST DROP, book four, as their first foray into the Charlie Fox books, and then wanted the next one to be called ‘second … something’. As ROAD KILL, book five, was already out by that time, the next book was dutifully given a suitable title. I have now, thankfully, reverted to more simple titles.

I have also written a collection of Charlie Fox short stories, FOX FIVE, a standalone with espionage thriller author John Lawton called AN ITALIAN JOB, and a solo standalone crime thriller featuring an ex-CSI turned crime-scene cleaner called Kelly Jacks, who went to prison for a crime she can’t remember, THE BLOOD WHISPERER. And quite a few short stories.

Q3) Which book are you most proud of writing?

A3) I’m reasonably proud of all of them, in one way or another. They all have their strengths—and probably their weaknesses as well. I think your first novel (first novel that makes it to publication, I should say) is always a major achievement, though. Maintaining faith in an untried project, right to the end of it, despite the criticisms and knock-backs, is incredibly difficult. I always reckon there are far more persistent writers published than there are talented writers published, just because there are so many things that can derail a perfectly good book and consign it to the bottom of a desk drawer forever.

Then again, I’m just as proud of book two, RIOT ACT. Following up a first novel with a second can sometimes seem even more difficult than it was before. And although he’s alluded to in KILLER INSTINCT, it’s in this novel that Charlie meets up with Sean Meyer again, who’s a spectre from her army past, and someone whose life will be inextricably linked with Charlie’s for most of the series.

And, equally, my latest book, FOX HUNTER, is one I’m proud of. The more you write, I think the more you hone and improve your craft. I’m always striving to make the next book better than the last.

The standalone, THE BLOOD WHISPERER, was something very different for me to write, after doing so many books in the Charlie Fox series, particularly as they were all a first-person narration, and TBW was third-person from various different characters’ perspectives. Getting it to all knit together into a cohesive whole was certainly a challenge.

Q4) Which book was your favourite to write?

A4) I think, looking back, it was probably THIRD STRIKE. In the earlier books, Charlie’s parents make occasional cameo appearances. They are typical upper middle class, who don’t really understand or approve of what their daughter does for a living. Her father in particular, a consultant orthopaedic surgeon, is a clinically objective man who lives by brains rather than emotions. In this book I decided to have him lose his cool, so I placed her parents front and centre. I have them under threat and have it down to Charlie—and Sean—to save them and to keep them safe. It was fascinating to watch her father’s downfall from his lofty principled stance, and the blossoming of her mother’s self-confidence as she was forced to take a more substantial role.

Q5) Who are your favourite characters from your books and why?

A5) You have to make a decision in a series whether to keep your main character static and unchanging, or take her on her own journey with each book. I chose to do the latter, so her character is always picking up or learning something new about herself in each story, which helps keep things fresh for me as I write.

So often, though, it’s the side characters that really stand out. I mean, I love Charlie, don’t get me wrong—I’ve been developing and growing this character for a long time. But the people you meet in each of the books have their own appeal, and some of them really leap off the page at me. In book two, RIOT ACT, she calls upon her father, Richard, to do a little unofficial emergency surgery. He stole the show for me in the scenes where he appeared, and I knew he was going to keep putting in appearances.

In HARD KNOCKS, the characters of Balkan gangster Gregor Venko, and his son Ivan, were so engaging for me that I revisited them in the latest book, FOX HUNTER, and they even pop up in the standalone I co-wrote with John Lawton, AN ITALIAN JOB. I loved the old couple who lived on the beach at Daytona in FIRST DROP, Walt and Harriet. I’ve still got notes for giving them a story of their own some day.

The same applies to the entire Rescue & Recovery team Charlie joins in ABSENCE OF LIGHT. I could quite happily see me returning to that group of characters for another book. All of them, from the trauma surgeon to the ex-Marine structural engineer, the laid-back Aussie pilot and the dog handler, seemed to arrive fully formed and raring to go.

I put in quite a few characters who have bid to be in the books at the charity auctions held at Bouchercon. This was how Frances Neagley ended up in SECOND SHOT, and Tom O’Day appeared in DIE EASY. Characters with both those names have also been in Lee Child’s books, for the same reason. Dina Willner put in the winning bid to be in FIFTH VICTIM, but was torn whether to take the character name for herself or her mother, Caroline, who had recently passed. Fortunately, I was able to include both mother and daughter in the book. Chris Sagar was great fun to include in FOURTH DAY in the role he asked for, and I had a good time with both Terry O’Laughlin in THIRD STRIKE as a Porche-driving, cat-owning Houston lawyer, and Aubrey Hamilton in FOX HUNTER, as a CIA operative in the Middle East.

Q6) If you could go back and change anything from any of your books, what would it be, and why?

A6) I think I’d start the series in the different way, in a different place, and I probably would have branched out into standalones earlier. As it is, I have another two standalones in the final edit stages. They’re fun to do, and they keep me on my toes because I tend to involve a larger cast of characters and get inside those people’s heads more.

Fox Hunter US Cover
Q7) Which of your covers is your favourite and why?

A7) I love the covers that Pegasus have come up with for the Charlie Fox books they publish in the States, so far from FOURTH DAY to FOX HUNTER. They give the series a very upmarket, cool look. Having said that, I also love the covers Jane Hudson at NuDesign has done for the early UK books, too. Very eye-catching and distinctive, but also very much part of the same series.

Q8) Have you ever thought about changing genres, if so what else would you like to write?

A8) Funnily enough, I’m in the editing stage for a supernatural thriller at the moment, which is a bit of a shift for me, although it still features a strong independent and very capable female main character, and there are crime elements along with the supernatural ones. Can’t say too much more about that yet, apart from the fact that there are no vampires, no werewolves, and no zombies!

Q9) Looking forward, can you let us know what you are working on next?

A9) As well as the supernatural thriller, I’m editing another standalone crime thriller, which is a UK-set version of the Washington Sniper story called DANCING ON THE GRAVE. The story centres around four main characters—a sniper with a mission, a CSI with something to prove, a young cop with nothing to lose, and a teenage girl with a terrifying obsession—and is set in the English Lake District. I’ve also just been doing stories for next year’s CrimeFest anniversary anthology, a Charlie Fox tale called ‘Hounded’ for the latest Sherlock Holmes-inspired anthology, FOR THE SAKE OF THE GAME, and one character’s story from a collective heist novel called CULPRITS.

Next up is another collaboration with author John Lawton, this time set in the drug scene of the 1970s. Also, a prequel to the Charlie Fox series that I put off from last year, the start of what I hope will be a new series, and I’m already putting together ideas for the next Charlie novel. So, no rest for the wicked …

Q10) I dare not ask for a favourite author, but is there any author’s back catalogue you admire and why?

A10) I’ve always been a huge fan of Robert B Parker’s books. They’re all beautifully written in his spare cut-down prose style. He can say so much in so few words, they’re always an educational read for any writer. Also, Lee Child’s Reacher books are so well written and so well constructed, you can’t help but admire them.

Q11) Finally, is there anything else you would like to say about your back catalogue of books?

A11) I hope anyone who hasn’t come across Charlie is prepared to give her and the series a try. I think that when you pick a book up by an author you’ve never read before you know when you’re halfway down the first paragraph whether you like the sound of that writer’s voice or not. As a reader, it’s the voice that keeps me coming back for more. I can’t ask for more than that, really, can I?

Thank you Zoe for that comprehensive interview. always interesting to know more about a series, especially when you may never have heard of it before. 

Author bio:

Zoë Sharp opted out of mainstream education at the age of twelve and wrote her first novel at fifteen. She created her award-winning crime thriller series featuring ex-Special Forces trainee turned bodyguard, Charlotte ‘Charlie’ Fox, after receiving death-threats in the course of her work as a photojournalist. She has been making a living from her writing for nearly thirty years, and since 2001 has written fourteen novels, including twelve in the Charlie Fox series, a standalone crime thriller, and a joint work espionage thriller author John Lawton, as well as numerous short stories. Her work has been used in Danish school textbooks, inspired an original song and music video, and been optioned for TV and film. Find out more at www.ZoeSharp.com

Links:





FOX HUNTER is the latest in Zoë Sharp’s highly acclaimed Charlotte ‘Charlie’ Fox crime thriller series.

‘The dead man had not gone quietly … There was a time when I would have given everything I owned to be the one responsible for that.’

Charlie Fox will never forget the men who put a brutal end to her military career, but she vowed a long time ago she would not go looking for them.

Now she doesn’t have a choice.

Her boss and former lover, Sean Meyer, is missing in Iraq where one of those men was working as a private security contractor. When the man’s butchered body is discovered, Charlie fears that Sean may be pursuing a twisted vendetta on her behalf.

Sean’s partner in their exclusive New York close-protection agency needs this dealt with—fast and quiet—before everything they’ve worked for is in ruins. He sends Charlie to the Middle East with very specific instructions:

Find Sean Meyer and stop him. By whatever means necessary.

At one time Charlie thought she knew Sean better than she knew herself, but it seems he’s turned into a violent stranger. As the trail grows more bloody, Charlie realises that unless she can get to Sean first, the hunter may soon become the hunted.



Saturday, 16 September 2017

Back Catalogue Books - Q&A with Karl Drinkwater



Back Catalogue Books is my new regular Saturday feature, focusing on books that are not the latest releases. There is going to be a mix of Q&As and also reviews, depending on what I have the space for. 

If you are an author wanting to take part in Back Catalogue Books then please do email on gilbster at gmail dot com and I'll whizz the questions over to you. 

I hope everyone enjoys this weekly look back at some of the slightly older books that are about but still great, going to aim to read books that have been out for at least 6 months, and that I eventually make a dent in my TBRs as a result of it!

Karl Drinkwater is originally from Manchester but has lived in Wales for half his life. He's a full-time author, edits fiction for other writers, and was a professional librarian for over twenty-five years. He has degrees in English, Classics, and Information Science.

He writes in multiple genres: his aim is always just to tell a good story. Among his books you'll find elements of literary and contemporary fiction, gritty urban, horror, suspense, paranormal, thriller, sci-fi, romance, social commentary, and more. The end result is interesting and authentic characters, clever and compelling plots, and believable worlds.

When he isn't writing he loves exercise, guitars, computer and board games, the natural environment, animals, social justice, cake, and zombies. Not necessarily in that order.

1) Please tell me about your first book, and what started you writing in the first place

Chronology in a writer’s mind can be a fluid thing. My first released book was the horror thriller Turner; but before that I had written a long literary novel that wasn’t working, so I put it in a drawer to ferment. After Turner I went back to my first book, worked with various editors, chopped it up, rewrote it about three times, changed from first person to third person, and eventually split it into two books – Cold Fusion 2000, and 2000 Tunes.

Or, if you wanted to go back further, my first book was a choose-your-own adventure I wrote when I was sixteen and falling in love for the first time.

I have always written because I have to. Mental steam escapes as squiggles on a page. I fall through it into other worlds of escapism. Stories nag and demand to be told. Who am I to resist?

2) How many books have you written and what are they?

Five books published, another two written and almost complete.

In the horror/thriller genres (also available as audiobooks):

Turner – “Stuck on a Welsh island where the locals turn to murder – will any of the visitors survive the night? The Wicker Man in Wales.”
Harvest Festival – “Woken in the night by terrifying visitors. They’ve come for your family. Welcome to the Harvest Festival.”
They Move Below – “Fifteen horror tales. Horror lives in the shadows: in caves, the sea, the forest, even in our bodies. No-one is safe.”

In the contemporary/literary genres (my “Manchester 2000” novels):

Cold Fusion 2000 – this got a new edition this week! “A science nerd meets the girl who dumped him, and who he blames for ruining his life – and falls in love with her again.”
2000 Tunes – “A nerd obsessed with Manchester music. A chaotic Welsh woman who rocks his world. Can sex, drugs and rock 'n' roll lead to love and a new life?”

3) Which book are you most proud of writing?

I’ll pick Cold Fusion 2000. My reasoning is that it was one of the first long things I wrote; and although early versions didn’t work, I never gave up on it. I honed, I polished, I replaced, and I eventually made it work. Fixing a broken thing teaches you more than throwing it away and buying a new one. Plus the book has a lot of heart, and a deceptive depth that has made a number of readers get to the end, have an “Aha!” moment, then start reading it again.

Having said that, when Harvest Festival was placed on the preliminary ballot for the Bram Stoker Award last year, I was practically buzzing and glowing with pride, and saw it as one of my career highlights so far.

4) Which book was your favourite to write?

Ah, that has to be my next book, Lost Solace. It wasn't a fully planned project. I’d just finished a literary collection of relationship stories in NaNoWriMo 2016 but had a few thousands words more to write. So I started this sci-fi story, just thinking it would pass the time but be nothing special ... but I couldn’t stop! Another month on and it was finished at over 55,000 words. I've never had such fun writing before, or been so excited by a project. I really couldn’t wait to get started on it each day, and find out what was going on in Opal’s life. I think part of the reason is that I was writing exactly the kind of book I love to read, and tried to trigger a number of emotional responses. Fear, sadness, humour, suspense, compassion – I’m proud of it.

5) Who are your favourite characters from your books and why?

I love the two protagonist nerds from Cold Fusion 2000 and 2000 Tunes. Alex is the “hero” of Cold Fusion, a physics geek, and I sympathised with how difficult he made his life, and how he gradually learned that life is more than your obsessions. Whereas in 2000 Tunes I could feel for Mark – he is obsessed with music, and wants a better life, but is being ground down by family and circumstance. But that novel also introduced one of my favourite female characters, the Welsh woman Samantha Rees. She is so feisty yet also vulnerable; tough yet loving; emotionally confused yet also strong … huh, I couldn’t help falling in love with her.

6) If you could go back and change anything from any of your books, what would it be, and why?

I revisit my books fairly regularly, hence the new edition of Cold Fusion 2000 which has just been released. I see creation as iteration. Nothing is ever perfect, and over time we can polish things further. As such there is no single thing I’d change; in reality, I have changed hundreds of things. 2000 Tunes is getting a new edition, probably in early 2018. Even after that, a few years down the line, I’ll probably find other small issues I’d like to change. After all, life is ever-changing.

7) Which of your covers if your favourite and why?

Probably the cover to my collection They Move Below. It is difficult for a cover to represent a whole collection of short stories, but I feel that one does it, since it hints at corpses and being buried alive; dreaming; alien lights from the sky; the depths of the ocean; and many more motifs from the stories within.

8) Have you ever thought about changing genres, if so what else would you like to write?

I am already a multi-genre author, because my primary focus is telling a good story – genre becomes irrelevant to me. I write horror, thriller, literary, contemporary, and now sci-fi. I also mix elements in to each other. Some of the horrors are also literary; some of the contemporary stories have elements of romance, and so on.

9) Looking forward can you let us know what you are working on next?

After Lost Solace is published I’ll be working with my editor on a literary collections of short stories I am really proud of. Some of them were emotionally difficult to write, but it’s important for a writer to be able to tap in to deep veins in order to give depth to the work.

10) I dare not ask for a favourite author, but is there any author’s back catalogue you admire and why?

It may seem like a cliché, but Stephen King. He doesn’t just write horror – Last Rung On The Ladder is one of my favourite short stories of all time. I grew up reading his books, and they shaped a lot of my interests.

11) Finally, is there anything else you would like to say about your back catalogue of books?


I really like the idea of this feature because so often there is a pressure for NEW NEW NOW NOW UPDATED CONTENT which totally misses out on the best of the past. When I read, the only factor I care about is whether it is a good book and a good story. When it was published is irrelevant to me. Half of the books I read last year were 10-100 years old. The main criteria should be related to quality, not chronology.

Thank you so Karl for this lovely interview. I must say I'm loving the new cover for Cold Fusion 2000 and do agree that the most important thing about a book is that its a good story, as opposed to how new it is.

Karl Drinkwater's all important links so you can find him! 
Or just visit my Pronoun page and pick a book!

social media links




Saturday, 9 September 2017

Back Catalogue Books - Q&A with Sara Alexi



Back Catalogue Books is my new regular Saturday feature, focusing on books that are not the latest releases. There is going to be a mix of Q&As and also reviews, depending on what I have the space for. 

If you are an author wanting to take part in Back Catalogue Books then please do email on gilbster at gmail dot com and I'll whizz the questions over to you. 

I hope everyone enjoys this weekly look back at some of the slightly older books that are about but still great, going to aim to read books that have been out for at least 6 months, and that I eventually make a dent in my TBRs as a result of it!

Today I'm interviewing Sara Alexi, an author I hope to start reading when I ever find the time to delve into my personal TBR!

1) Please tell me about your first book, and what started you writing in the first place 

The first novel was inspired by a man living in a village in Greece, who had travelled here illegally to find work. This was years before he current Syrian refugee crisis. I met this man pulling weeds down the lane that leads to my house and he told me he relied on casual labour and that often it was difficult to find work and there had been occasions when he had worked and had not been paid. It got me thinking how lucky I was to have been born in a prosperous European country and to be able to travel freely around the world, and about how much choice I had compared to this man. 

I am incensed by injustice, and I related the exchange I had had to a writer I knew and suggested he write a book about it. ‘I cannot write your story,’ he replied. ‘You write it.’ I did not feel I had any ability to write; after all I have struggled all my life with dyslexia but my passion for this man’s story inspired me to sit down and at least try.

The book is about a Pakistani illegal immigrant and a British ex-pat living in the village. I wanted them to both be foreigners to add a symmetry to the tale and to explore our preconceptions and to give a tension that derives primarily from the lack of privilege on one side and the extreme privilege on the other.

In the book Juliet is wealthier than the people in the Greek village whereas Aaman, the illegal immigrant, is less well off than those around him. The village creates a meeting ground where the differences between them and the differences in their backgrounds can be examined.

2) How many books have you written and what are they?

I have published twenty six books now - it seems I had a lot to say once I got started! There are thirteen books today in The Greek Village Series and seven in The Greek Island series. Alongside these is A Wander Through the Village which is a collection of shorts stories as well as a handbook of all the characters and where they appear in the other books, and then there are two books which are the start of a new series - The Yorkshire Village series. There is also a colouring book and newly released a Greek Cookery book which is also a story.

That must sound complicated so here is a better way of seeing all I have written;

The Greek Village Books                 
The illegal Gardener  
Saving Septic Cyril
The Explosive Nature of Friendship
The Gypsy’s Dream
In the Shade of The Monkey  
Puzzle Tree
A Handful of Pebbles
Watching the Wind Blow
The Reluctant Baker
The English Lesson
The Priest’s Well
A Song Amongst the Orange Trees
The Stolen Book
A Stranger in the Village
A Self Effacing Man

The Greek Island Series

Black Butterflies
The Unquiet Mind
The Rush Cutter’s Legacy
Being Enough
The Housekeeper
An Island Too Small

The Yorkshire Village Series

Saving Septic Cyril
The Piano Raft

Others
A Wander  Through the Village; a guide book
The Greek Village Colouring Book
The Greek Village Cookery Book or The Short and Happy Tale of Pippo Lampo

3) Which book are you most proud of writing?

I think I am most proud of Saving Septic Cyril. It came from the heart and flowed as if I was just a conduit rather than the author. I think that it could, perhaps, touch on many peoples’ deepest fears that they are unlike other people, strange, unique, maybe even unlovable and also touches on society’s deepest unseen prejudices which some people may not even know they have. We are all, myself included, guilty of judging people with the rules laid down to us by our individual upbringings and own experiences; it is a way of making the world more understandable and therefore feel like a safer place so it is not necessarily a bad thing, but sometimes these rules and thoughts become outdated and perhaps it is better to bring them to the surface for a dusting off and a rethink. Saving Septic Cyril gives insight into a character that perhaps I needed to face in order to root out my own preconceived ideas and prejudices.

4) Which book was your favourite to write?

Interesting question. I have enjoyed writing them all as each has been a personal journey and cathartic in its own right. An easy answer would be to say the one I am writing now, as the one in production is always the concept I need to work through at the time. I think the most joyful was Black Butterflies as the protagonist was a joyful person, but then I really enjoyed the positivity of The Gypsy’s Dream as this involved people liberating themselves and casting off the old, which is a brave thing to do and I am sometimes not that brave. But if I had to pick an overall favourite from the writing point of view, at this moment, I would pick The Housekeeper as it flowed so well and, again, I felt like I was watching my hands do the work as the story progress!

5) Who are your favourite characters from your books and why?

Now this is a tough question. I love them all. I cannot say one if it excludes another. Juliet reappears again and again but then so does Stella. They are very different characters - Juliet is finding herself and loving who she is finding, Stella is determined and pro-active despite her social limitations. But then Aaman is so brave and loving to his wife Saabria and Cyril has impressed me by ‘facing his fears and doing it anyway’! Each character has taught me so much I would find it really hard to choose a favourite. 

6) If you could go back and change anything from any of your books, what would it be, and why?

I tend not to look back. They are as they are, each reflecting my writing skills and my thoughts at the time, and I have a wonderful readership who seem to really have enjoyed them so I am saying ‘move on, write better in the future.’

7) Which of your covers is your favourite and why?

I recently gave all The Greek Island Series new covers and I just love the limited palette and the ambiguity between real life and cartoon, I think they reflect the books well - half serious and half storytelling. But I am particularly fond of the covers for the two Greek Village Novellas The English Lesson and The Priest’s Well. I like that they are so benign when the tales reflect the dark character of the protagonists.

8) Have you ever thought about changing genres, if so what else would you like to write?

I have an inkling that I would enjoy writing mysteries but so far no tales have come to me. I think I would also relish writing a psychological thriller. At the moment, with the demand that there is for the series I am writing I feel I do not have the time to venture into new pastures, but that is not to say I won’t. One day a story might pop into my head and then I will go with it. I will welcome that time when it comes.

9) Looking forward can you let us know what you are working on next?

I am always working on ‘the next’ book. I have a series of three interlocking novellas coming out over this summer (2017). That was exciting to plot and write. The next book I am still reflecting on. My mother died recently and I think this may inspire my next cathartic write challenge. I loved my mother because she was my mother and yet I felt so hostile toward her for so many things. I hope to explore this in the next book that will belong to The Yorkshire Village series and that will be out before the year’s end with a bit of luck. I have the outline of the plot and I am looking forward to giving it more detail and writing it in full. After that I have another seed that is germinating but it is so misty at the moment I am not sure I could describe it. It is more of a feeling than a plot or a novel. It will come. 

10) I dare not ask for a favourite author, but is there any author’s back catalogue you admire and why?

Ah well, how long is that list? But always coming to the forefront are people like Emily Bronte, Kazuo Ishiguro and Aleksandr Solzhenitsyn as their understanding of human nature is so well illustrated by their characters’ actions rather than description. I am all about the characters and exploration of the ‘human condition’

11) Finally, is there anything else you would like to say about your back catalogue of books?

Readers say my writing is addictive. Often I release a book and the reviews start the very next day, and I get e-mails from readers telling me that they had to stay up all night to know the ending. This is immensely flattering and so my final words have to be ones of thanks to the readers, without whom I would not be able to write full time and without whom my scribbles could be classified as a form of psychosis! 

(Psychosis = an abnormal condition of the mind that involves a "loss of contact with reality". - which just about sums up how I feel when I write! Oh dear!)

Wow Sara that is a lot of books that I need to catch up on one day! Thank you so much for taking the time to answer my questions.

www.saraalexi.com

Sara Alexi is one of the top 150 most successful, self-published authors of all time; a prolific writer, she has written 15 books (and counting) in just four years, with book sales reaching well over half a million copies. 

Remarkably, Sara is dyslexic. At school English lessons were a time of confusion, she found that books were indecipherable hieroglyphics and she was unable to enjoy reading and writing; growing up in a time when at a time when dyslexia was not well understood and little or no support was available. And so her artistic nature was confined to painting, an art form that she loved and would take her travelling around the world.

Despite her dyslexia Sara qualified as a psychotherapist and ran her own practice in Yorkshire for many years. In a casual conversation with a client, she discovered that Agatha Christie, Jules Verne and Hans Christian Andersen were all dyslexic, and Sara’s perspective changed. The world of fiction opened to her with this shift in perception.

Sara now spends much of her time in a tiny rural village in the Peloponnese, in Greece, where she is (very slowly) renovating a ruined stone farmhouse, whilst observing the Greek way of life and absorbing the culture, enriching her vision for both writing and painting.

Sara’s ‘Greek Village Series’ is inspired by the people she has met travelling, her time spent in Greece alongside her career as a psychotherapist; her writing provides a keenly observed, compassionate insight into people, culture, and the human condition, and is set around a charming rural Greek village


Predating the current refugee crisis in Greece by some three years, Sara’s debut novel, The Illegal Gardener, focuses on the immigration problems in Greece, and the clash of cultures that accompanies those seeking a better life in the West.

Saturday, 24 June 2017

Back Catalogue Book - Q&A with Karen Aldous



Back Catalogue Books is my new regular Saturday feature, focusing on books that are not the latest releases. There is going to be a mix of Q&As and also reviews, depending on what I have the space for. 

If you are an author wanting to take part in Back Catalogue Books then please do email on gilbster at gmail dot com and I'll whizz the questions over to you. 

I hope everyone enjoys this weekly look back at some of the slightly older books that are about but still great, going to aim to read books that have been out for at least 6 months, and that I eventually make a dent in my TBRs as a result of it!

Hi Rachel,

Thank you so much for inviting me along to your new ‘Back Catalogue Books’ feature. What a wonderful idea. Just so that your readers know a bit about me, I’ll give a *wave*, I’m Karen Aldous, author of five contemporary romances with HQUK/HarperCollins, which are set in some of the most beautiful locations, and as well as containing lots of emotional family drama, my strong, independent heroine will always find her happy ending.

Please tell me about your first book, and what started you writing in the first place

The Vineyard is my first book and it’s inspiration came from my first visit to Provence several years ago. I fell in love with the ambience of Provence, the landscape, the hilltop villages, the vineyards, but my character Lizzie was too young to live so rural, she needed the cosmopolitan vibe of Cannes to live and run her business and so Provence became her dream. The story was born. It didn’t actually reach fruition until 2012 though. I wrote the first half of it whilst my mum was undergoing her chemo treatment. I finished it the following year and sent it to CarinaUK, now HQUK.

1) How many books have you written and what are they?


I’ve just completed my fifth novel but both The Vineyard and The Riviera, are, as I mention above, set in Cannes and Provence, and follow the story of Lizzie and her three-year-old son Thierry and Cal and his son who lives on the US island of Nantucket. After falling for bad-boy Anton, Thierry’s playboy father, Lizzie then falls for Cal, her mother’s toy boy. Lizzie has difficulty trusting any man since Anton, so even when discovers the truth, it takes an exceptional man to win her trust. 

The Chateau is set around the beautiful Swiss Riviera on Lake Geneva where Gina meets Ollie and is immediately disturbed by a figure on the lake. As more is revealed of Agnes-Francesia, an unrested spirit at the Chateau, the quest to settle the spirit becomes Gina and Ollie’s fascination. 

My fourth novel, One Moment at Sunrise is set on the path and beside the stunning Canal du Midi, also in the South of France. My main character Evie appears to have everything, the elegant villa, the rock-star boyfriend and his gorgeous little girl, Charlotte, but Evie is extremely unhappy. When she researches the building of the canal for film director Ben, she finds herself identifying with one of the characters and discovers more about herself and where her own life should be leading. 

My fifth and most recent title, will be released 14th June, is called ‘Under a Tuscan Sky’.

2) Which book are you most proud of writing?

This is so tricky to answer because each makes me proud. It’s been a journey on which I am still learning and so each one is a testament to learning something new from the last. I suppose, it’s like asking me to favour a child. I can’t!

3) Which book was your favourite to write?

The Chateau was inspired by a dream soon after my mum passed. It was an extremely vivid image of a woman being dunked in the deep waters outside a medieval dungeon. I woke up sweating and quickly wrote the scene. I felt her spirit needed to settle, and her story told. I think it was my favourite to write not just because it was so close, but because Gina, my character was on a quest to discover the relationship between the spirit Agnese-Francesia and what she needed to do to settle her. I enjoyed that mysterious side to it. 

4) Who are your favourite characters from your books and why?

Relative to the above. I really loved Agnes-Francesia in The Chateau because as a spirit she had to enter different eras to find the person who would help her settle that spirit, and find ways of engaging and communicating with them. Arriving in the twenty-first century from the seventeenth century, she is exposed to so many changes, not just the landscape but material and technological changes. So from a more primitive era of road tracks and horse and carts, she has to endure the staggering changes to roads, as well as the unfamiliar, the speed etc ., of cars, trains, aeroplanes, and then decipher what phones and tablets etc., are, and how to make them work for her. It was entertaining and a particularly absorbing task. Imaging how lost we’d feel leaping forward or back four hundred years!

5) If you could go back and change anything from any of your books, what would it be, and why?

Oh goodness, I wouldn’t change any of the stories per se, but I would love to go back and re-edit them in terms of their language; changing sentences, phrases, grammar etc. I’d like to think I’ve developed as a writer and I’m sure if I went back and re-read them, my editing pen would soon run out of ink!

6) Which of your covers is your favourite and why?

I love my covers. The team at HQ have a great sense of what stands out.  I think the cover of One Moment at Sunrise is one which has a spiritual significance for me. Maybe it’s the mystical figure of the woman on the front walking into the unknown. She is following the light. I was talking to an author at an awards evening recently and we spoke about our previous careers; seeking locations for clients. We both agreed that our best finds are discovered when we are completely lost. I think that is what the image evokes for me, and it’s that stepping into the unknown and discovering what is out there which ignites me.

7) Have you ever thought about changing genres, if so what else would you like to write?

Yes. Apart from a contemporary romance, I enjoy psychological thrillers and historical or dual-timelines. I am currently working on some ideas for a dual-timeline. It is quite a challenge to create two stories which somehow weave together, but I feel ready for the challenge. There are some excellent authors out there who create wonderful dual-timelines and I would love to be among them. As I state above, stepping into the unknown can be a great adventure.

8) Looking forward can you let us know what you are working on next?

Under A Tuscan sky is being edited and set for 14th June release, just after my daughter’s wedding there, but I’m also working on characters and ideas for my next novel which is also set in Italy. Like France and Switzerland, Italy has so many layers and beauty, I find it inspiring in all aspects; landscapes, history, art, culture, culinary delights, not to mention the wine, so I’ve planned a tour for the research, and hope to meet some new characters and discover their stories. Nothing is ever wasted. I will also continue building on my dual-timeline novels.

9) I dare not ask for a favourite author, but is there any author’s back catalogue you admire and why?

Oh, there’s so many. Erica James is one of my favourite and among her back catalogue are dual-timelines. I like to read and learn from these experts; what strategies or vehicles authors use to create their different eras. I’ve been reading, Lucinda Riley, Santa Montefiore, Kate Moreton, Rosanna Ley, Kath McGurl, Iona Grey, and a new discovery recommended by a wonderful book-blogger, Katherine Webb. There’s probably more. I just love both the reading of the stories ,and working out how they’re all pieced together.


10)Finally, is there anything else you would like to say about your back catalogue of books?

As a writer, I want nothing more to inspire my readers and allow them to escape to another world so they can submerge themselves into the character’s mind. I ask only that your readers will try one or two of my back catalogue of books and if they enjoy them, to keep coming back for more, and recommend them to their friends.

Thank you so much Karen for answering my questions. I love your books and I'm looking forward to starting Under a Tuscan Sky when I get a spare moment.

Author Bio

Karen Aldous enjoys village life on the edge of the north-downs in Kent with easy access to the buzz of London. Not only does she love the passive pleasures of reading and writing, she also craves the more active pursuits with her family and friends such as walking, cycling and skiing especially when they involve food and wine!

Much of Karen's inspiration comes from her travels and meeting people. The UK, France, Greece, Switzerland, Italy and parts of the USA and Asia are just some you will experience in her books to date. However, wherever she goes, new characters emerge in 'Karen's World' screaming at her to tell their stories; past or present. She loves to write about strong independent women who can direct their own lives - but struggle to control them! And, of course there's always a gorgeous hunk or two!

Karen’s books published by HQUK/Harper Collins are available at most ebook retailers.

Here are the links to AmazonUK:

You can also follow Karen:
Twitter: KarenAldous_


Under A Tuscan Sky was published 10 days ago

Amazon UK
A summer she’ll never forget…
When Olivia Montague’s grandmother passes away, she decides it’s finally time to make some changes in her own life. So she breaks up with her ‘going nowhere’ boyfriend and embarks on a journey to her Nonna’s home in Tuscany.

Until now, Olivia has always believed that she’s incapable of love, after being abandoned by her parents as a baby. But with each day spent at the gorgeous villa nestled in the rolling Italian hills, she feels her heart begin to flutter…

And when handsome antiques dealer Hugh St. James arrives on the scene, she realises things might be about to change forever!


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